writings blog

Interview: Patrick Joust

"For most of my life I didn’t take pictures beyond the standard snapshots everyone takes. Once I did get into photography, shortly after college, it was a completely solo undertaking. One of the things that appealed to me about it was that I could do it alone. That’s still a big part of it."

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Interview: Yoav Friedlander

"This is an essential question to ask because the transition from Israel, the Holy Land, to Queens not only influenced my work, it redefined it. There are two parts to my background, one that I had control over and the one which I was born into.

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by Niko J Kallianiotis

Interview: Dimitri Mellos

"I believe that my status as a transplant in New York has fostered my photographic work, also, not least, because photography has been a way for me to appropriate my adopted home and truly make it my own. It’s ironic that I probably know the streets of New York better than most native New Yorkers, thanks to my photographic peregrinations.

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Interview: Jennifer McClure

"I only recently realized that there is a consistent theme in my work. I don’t set out to make similar types of stories. I start a project because I have something that nags at my brain and my heart, a question that keeps me up at night. Apparently, I think a lot about how we connect as human beings--about what it means to be alone and what it takes to be with someone else."

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Interview: Mike Froio

When I started the project From the Mainline, I was looking for something that connected a number of different personal interests, something big that I could dive into in phases and that would provide a sort of long-term return creatively. The railroad is what initially led me to pick up a camera, I wanted to get back to the subject but not in the sense of the trains themselves, I instead wanted to focus on the surviving infrastructure and landscape.

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